In “Reflections in Suspension,” the discrete tones fall gently into the pool of ambience as do the beginning drops of rain into a mountain stream. The sequence of tones is very teasing. The mix of anticipation and surrender is thrillingly sublime.

This entire album always evokes a quote from Brian Eno which I will paraphrase as “The more something stays the same, the more it changes,” meaning that the listener is drawn into a heightened sensativity where even the smallest variations become momentous.

An example of this acuity was demonstrated to me on a race from San Diego to Manzanillo, Mexico, in the mid 80′s as several of us were languishing through a night of very light wind. I slipped “Structures From Silence” into the cassette player and was intrigued to observe everyone becomming more alert. Sails were adjusted in and out a centimeter at a time, the course adjusted by a degree or two, and the speed increased. People were not nodding as they vainly tried to thwart tedium and fatigue; instead, heads were up, looking around, discerning changes, feeling wind.

The next morning one of the crew that was off-watch while we had been sailing and listening to this album complained that they couldn’t sleep with this music on! This particular person’s favorite music was Willie Nelson and Jimmy Buffet and “Structures From Silence” had kept them from sleeping. The specific complaint was something like, “There’s no beginning! There’s no end! And there’s nothing much in the middle either!!” Sorry, the people on watch LOVED it…

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